Green Light, 2016
Luminogram, from series Light, 2016
Constant chromatic evolution, unfixed expired material.
#606 Guilleminot & Boespflug 1900-20
Glasplate/plaques de verre négatif 13 x 18 cm
UN F O L D E D, 2015
U N F O L D E D, 2015 <opens_detail pdf<
BLACK-BLACK - ALMOST BLACK - BLACK - BLACK-BIRCH
Series of unique Luminograms, processed 2015
Silver gelatin photo papers 30 x 40 cm - 11 3/4 x 15 3/4 in.
Stainless steel Lehni frames 50x40cm
Photo papers are folded as are the inactinic protecting papers in the original packagings, then left to available light for several days.
View of installation Kunstmuseum Solothurn, 2016
LES HEURES, 2012
Different old b/w photo sensitive papers inserted in old timer cameras (Brownie 0 , +++,) as negatif instead of normal negativ films.
Long time exposure through windows, recording passages of the sun, climatology, etc,. Then take the papers out and not processing them. The sunlight might one day extinguish what it created....
Wait and See...
QUEEN B, 2017
from series assemblage in glas boxes _ detail airplane view
QUEEN B, 2017
Front view 28 x 21 x 21 cm glas box
mixed media _stilleto daim noir, cire d'abeille, moulure, épingle_
V A N I T A S, 1999
Unique prints. Painting directly the word V A N I T A S with a paintbrush on photo sensitive gelatin papers.
First series with developer
Second series with Fix
Both series fixed
Varlin _ November 1973 in Bondo, Val Bregaglia
Back in 1973, I had been appointed to "portrait" the Swiss painter Willy Guggenheim, alias Varlin, both in his studio and his private life.
I had selected about 225 images, no cropping at all, as a FIRST SKETCH. 1973.